Through an interdisciplinary artistic practice, I investigate the interdependent relationship between objects, place, and identity. As a Canadian-born Hong Kong-Chinese queer, anglophone woman, I use this lens to navigate discourses of transnationalism, migration, displacement, and diasporas.
Growing up tirelessly grasping at my language ∴ culture, I soothed my hunger for connection via online communication/sharing platforms and by eating. These ingredients helped a hopeful pessimist calm rolling waves of loneliness and learn about their heritage and ancestry. Sifting through family memories of displacement—usually in-between conversations held over food-covered tables—and prickly experiences of trying to blend in until smooth, nourish points of interest to reflect and respond to global contexts and (hi)stories.
Conducting research is a ritual that molds the way I work. Chewing on the spectrum of transparency ↔ opacity and translation of forms (physical ↔ digital) and stories, I collect and layer still and moving images from archives and contemporary media, words, sound(scapes), objects, and places. This research simmers into installations conjured up with sculptures, performances, texts, audio explorations, photographs, and videos—marinating and transforming accumulated ephemera often overlooked by those outside of my communities. As of late, I have been using food and humour to draw people in with the familiar, to confront the uncomfortable histories embedded in the everyday.
Snack Witch Joni Cheung is a grateful, uninvited guest born—and knows she wants to die—on the unceded territories of the xʷməθkwəy̓əm, Skwxwú7mesh, Stó:lō, and Səl̓ílwətaʔ/Selilwitulh peoples. They are a Certified Sculpture Witch with an MFA from Concordia University (2023). She holds a BFA with Distinction in Visual Art (2018) from the School for the Contemporary Arts at Simon Fraser University. As a wicked #magicalgirl who eats art and makes snacks, she has exhibited and curated shows, off- and online, across Turtle Island and beyond. Currently, they are based on the stolen lands of the Kanien’kehá:ka peoples, working as a part-time lecturer in the Department of Design and Computation Arts at Concordia University.
They are a recipient of numerous awards, including the Individual Arts Grants—Visual Artists: British Columbia Arts Council; Research and Creation Grant: Canada Council for the Arts; and the Dale and Nick Tedeschi Studio Arts Fellowship: Concordia University. She was waitlisted for the SSHRC – Joseph-Armand Bombardier: Canada Graduate Master’s Scholarship.
Aside from art-making, Joni likes wandering down grocery store aisles and drinking bubble tea.